Top three Middle Eastern art show treats in Dubai winter 2008

MIDDLE EASTERN ART

A quick glance at three interesting shows in Dubai this autumn throws up a plethora of talent.

 

Huda Lutfi

Huda Lutfi

Huda Lutfi at The Third Line 13 November – 4 December 2008

One of Egypt’s most notable contemporary artists, Huda Lutfi presents her exhibition Zan’it Al-Sittat, an exploration into the city of Cairo, and more specifically, the visibility of women in Egyptian culture and society.

Both historian and artist, Lutfi is a bricoleur. She collects disparate images and manipulates them to re-invent her personal vision of Cairo, its histories and events. In doing so, Lutfi simultaneously comments on the political relevance of her home country, lifting old feminine icons from history and giving them new life by re-contextualising historic time lines, creating hybridised, timeless female figures.

Third Line Gallery

Khosrow Hassanzadeh at B21 11 November to 12 December 2008

Born to an Azerbaijani family in 1963 in Tehran , Khosrow Hassanzadeh spent most of his childhood in museums and cinemas – a refuge from the busy streets of Tehran , where he sold bananas to tourists near the National Museum of Iran. As a teenager he volunteered to fight on the Iran-Iraq front, not expecting that he would stay as a recruit for several years. When he came back from war, having escaped death, he chose a discipline that he always dreamt about: painting and poetry. Since then, Hassanzadeh has exhibited worldwide in leading art galleries and his works adorn the walls of several public collections such as the British Museum , London , The World Bank in Washington DC and the Tehran Museum of Contemporary Art.

 

Faisal Samra at XVA Gallery 27 October – 13 November 2008

‘I started out experimenting on another shape, another support on which to paint.’ Saudi artist Faisal Samra has pulled out pieces that he produced back in 2001 for this latest show. Moving away from a traditional canvas stretched two-dimensionally flat, Samra wraps his canvas around a wire mesh. The canvas itself wrinkles into a leathery skin-like form and, when hung, it takes on the slightly unnerving shape of a human torso. 

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