HONG KONG KOREAN SCULPTURE ART EXHIBITIONS
Work by internationally renowned Korean sculptor, Lee Jae-Hyo, will soon be on show in Hong Kong for the first time. In a new exhibition, “From the Third Hand of the Creator”, to be held at Hong Kong’s Kwai Fung Hin Art Gallery from 31 July until 20 August this year, the gallery will present thirty pieces of representative works from Lee Jae-Hyo, including work from his “Wood” and “Nail” series.
Born in Hapchen, South Korea, in 1965, Lee Jae-Hyo graduated from Hong-ik University with a Bachelor degree in Plastic Art. Working with wood, nails, steel and stone as his primary media, Lee focuses his attention on exploring nature’s structural construction. The works are made from a process consisting of dedicated design and complex composing, sculpturing, grinding and refining. The wood pieces are assembled into curves, with which various futurist forms in hyper-modernist style are drawn. Each piece is still embroidered with growth rings. His method has been applauded for exuding a strong personal character and opening up a distinctive direction within contemporary Korean art.
New York-based art writer Jonathan Goodman describes the artist’s work in Sculpture Magazine:
Allowing the materials to speak to him, he builds self-contained worlds that mysteriously communicate with their outer surroundings. One of his most striking images is a photograph of a boat-like structure placed in the midst of a stream whose banks are covered with trees. Clearly a manmade sculpture put out into nature, the work contrasts with and succumbs to its surroundings. In the photograph, self-sufficiency is enhanced by the object’s position in a beautiful scene; the poetics of the sculpture lean on an environment that frames its polished surfaces, conferring a further dignity on a form in keeping with its forested setting.
Lee’s works are created through the assembly of a large number of units of the ingredient, and therefore become the respective images of the individual units. In their overall structures and forms, minimalist geometric lines can be found, rich in hyper-modernist imagination.
Lee’s art is built upon a typical oriental spirit – in the pursuit of unity and a harmonious co-existence between him and the universe, Lee attempts to demonstrate how humanity can continue to develop civilization with grace, on the basis of a mutual respect between the man-made and natural worlds.
Lee Jae-Hyo has exhibited widely: in Korea, Japan, China, the United Kingdom and the United States. He has won many awards, including the Grand Prize of Osaka Triennial (1998), Young Artist of the Day, presented by the Ministry of Culture of Korea (1998) and the Prize of Excellence in the 2008 Olympic Landscape Sculpture Contest. His artwork is collected by a number of prominent Asian, European, American and Pacific museums, hotels and universities.
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