-
About Art Radar
Did you know that Art Radar is the only editorially independent online news source writing about contemporary art across Asia?
We conduct original research and scan global news sources to bring you the taste-changing, news-making and up-and-coming in Asian contemporary art.
We’re taking a break!
The Art Radar team will be taking a much-coveted break over the Lunar New Year, which means we will not be publishing any stories between Monday 23 to Sunday 29 January 2012. Following that break, we will be back on schedule, with our first newsletter for the new year going out to subscribers on Wednesday 1 February 2012 (UST).
Write for Art Radar
Art Radar Certificate in Art Journalism and Writing 101: learn ins and outs of writing about contemporary art.
We have opened up a few spots for the third intake of our 14 week course. Hurry! Apply now to take advantage of our still-low price. Deadline: 21 January 2012.
Art Radar’s December 2011 giveaway winner!
Art Radar reader Simone Wille from Vienna is the lucky winner of our December 2011 giveaway, a photobook by Shahidul Alam. Congratulations, Simone!
We will soon publish our review and giveaway for January 2011, courtesy of Korean book publisher Seoul Selection. To be in to win, keep a close eye on our website.
Monthly Archives: December 2010
Which Asian contemporary artists made Artprice auction revenue top 500?
Art Radar Asia has put together a list of this year’s biggest-selling Asian artists, compiled from the Artprice Annual Report (2009/2010). Out of the 500 international contemporary artists named by Artprice, 238 come from Asia. With artists like Yifei Chen (China), Anish Kapoor (India) and Takashi Murakami (Japan) topping the list, the results of this report are a testament to the continued growth of the Asian art market. Continue reading
Open Exhibits targets museums with free software for online exhibition – resource alert
Open Exhibits is a new software initiative that allows people to plan and develop their own online exhibits. It is free to download for anyone who is involved in formal or informal education, including museums, researchers, students and universities. We lay-out the features of this programme and talk about how it works and who it’s for. Continue reading
Art Radar explores use of words in Asian contemporary art: A series introduction
Art Radar Asia introduces the reader to a new series of interviews with Asian artists working with words in art. Among the artists and artist groups we speak with are Raqs Media Collective (India), Hung Keung (Hong Kong), Sujata Bajaj (India), Wenda Gu (China), Manuel Ocampo (Philippines) and Josephine Starrs (Australia). We have asked them questions about why and how they use words, script and text in their works and why language is significant to their work and to their world. Continue reading
Happy holidays! From all at Art Radar
FROM ART RADAR For most websites ‘tis the season to reflect on the year past and Art Radar is no exception. And we have cause to celebrate. Among our biggest achievements for the year was our move to a new website … Continue reading
Representing South Korea at the 54th Venice Biennale: Lee Yong-baek and his art
KOREAN ARTIST VENICE BIENNALE ART EVENTS Artist Lee Yong-baek is to represent Korea at the upcoming 54th Venice Biennale, Arts Council Korea recently announced. According to a report in the Korea Times, Lee, 44, has been chosen as the official … Continue reading



Art Radar takes a break for Lunar New Year in 2012
New records for Chinese auction houses despite market slowdown – ArtTactic report
Why are regional art shows so tricky to curate? The Japan Times
What is ahead for contemporary Asian art, 2012 and beyond? Part II
Southeast Asian photography: Langgeng Art Foundation holds rare group showing
Art Stage Singapore 2012 round up: Sales slow, coverage listless
Seeking Korea artist residency? International opportunities at Seoul Art Space Geumcheon
FINAL DAYS! Art Radar journalism course application deadline draws near
Indonesian contemporary art in Italy: A “faraway world” brought closer to Rome
What is ahead for contemporary Asian art, 2012 and beyond? Part I