-
About Art Radar
Did you know that Art Radar is the only editorially independent online news source writing about contemporary art across Asia?
We conduct original research and scan global news sources to bring you the taste-changing, news-making and up-and-coming in Asian contemporary art.
Flash Reward: January/February 2012
Win your very own copy of Museums & Galleries: Displaying Korea’s Past and Future. This new guide has an entire chapter dedicated to the country’s top art institutions.
Click here to find out how to get your hands on a copy!
Don't miss out... You only have until Wednesday 29 February 2012 to leave a comment on the post, or on our Facebook page or Twitter account.
Write for Art Radar
Art Radar Certificate in Art Journalism and Writing 101: learn the ins and outs of writing about contemporary art.
Missed the deadline for our first intake for 2012? No problem! We accept applications throughout the year. Follow the link below to express your interest.
Monthly Archives: February 2011
Think the art world has changed over the last 20 years? Statistics and facts
We have been reading some powerful statistics and facts which make us think the art world still has plenty of change ahead.
Posted in Globalisation of art
Tagged Argentina, art and globalisation, art and urbanisation, art cities, art market, art world, art world networking, Belem, Chinese city planning, Chongqing, city planning, future art world, global powerhouses, Greater London, Guadalajara, interest in art, Kate Cary Evans, London, metropolis, metropolitan, new york, Paris, Pearl River Delta, population, population growth, population increase, today's urban world, trend watching, up-and-coming art cities, urban environment, urban future, urban world, urbane values, urbanisation, world population
Leave a comment
ART HK Art Basel joining forces? Art Newspaper reports
A collaboration between two major art fair players may give Asian art and art galleries more chance of hitting the international art market.
Ai Weiwei transparent communicator: Interview Tate’s Juliet Bingham – Part I
Tate curator Juliet Bingham talks to Pippa Dennis on the challenges of curating Ai Weiwei’s Sunflower Seeds and the artist’s talent for social media.
Posted in Ai Weiwei, Guest writers, Installation, Interviews, Juliet Bingham, Pippa Dennis
Tagged Ai Weiwei, AIDS demonstrations, Anish Kapoor, APAC, art and the Internet, art commissions, artist blogs, artist communication, artists and social media, artists blogging, artists on Twitter, Asia Pacific Acquisitions Committee, audio sculpture, blogging, Bruce Nauman, ceramic seeds, China and the Internet, Chinese antiques, Chinese artist, Chinese ceramics, Chinese contemporary artist, Chinese pottery, commissioned art, contemporary Chinese artist, contemporary Chinese politics, contemporary Chinese society, curator interviews, Dada, Dropping a Han Dynasty Urn, Duchamp, Duchampian, Haus der Kunst, installation art, Jingdezhen, Juliet Bingham, large-scale art, multi-directional broadcasting, Pippa Dennis, radical art, ready-made, sculpture, Sichuan earthquake, social media, steel sculpture, student protests, Study of Perspective, Sunflower Seeds, Table and Pillar, Tate Liverpool, Tate Modern, The Real Thing, Tompkins Square Park Police Riot, Turbine Hall, Twitter, uni-directional broadcasting, Unilever series
Leave a comment
Can you sell big to first-time collectors? Indian Art Summit 2011 round-up
Third Indian Art Summit proves Indian arts ability to attract big crowds, global art buyers and top-end galleries. But did everyone agree on its success?
Posted in Business of art, Events, Fairs, Market watch
Tagged affordable art, Anish Kapoor, Anupam Poddar, Aravist, art buyers, art fair, Art in Picture, Art Market Monitor, Artforum, Ashish Anand, Auguste Rodin, Bharti Kher, Bhupen Khakhar, biharplus, blue-chip artists, Business Standard, Carbon 12, contemporary art, contemporary art collectors, contemporary art fairs, contemporary Indian art galleries, Cul-de-sac in Taxila, Dali, Deccan Herald, Deepak Shinde, Delhi Art Gallery, Devi Art Foundation, DNA India, Financial Times, first-time collectors, Flickr, FN Souza, foreign collectors, Frieze, GR Santosh, HCL, Hemavathy, Hindustan Times, India Real Time, Indian art galleries, Indian Art Summit, Indian Art Summit 2011, Indian contemporary art, Indian contemporary artists, Indian diaspora, Indian Today, installation art, international artists, Jamini Roy, Japanese horror film, Japanese horror movie, Kiran Nadar, local collectors, MF Husain, Minal Vazirani, Nadine Knotzer, Neha Kirpal, new collectors, newKerala.com, NGMA, Open, Pablo Picasso, Pragati Maidan, Rajshree Pathy, Ranbir Kaleka, Saffronart, sculpture, SH Raza, Shiv Nadar, sify news, Subodh Gupta, Swapnil Khullar, Tejal Shah, The Times of India, The Tribune, The Wall Street Journal, Video art, video installations, vm2827, young collectors
Leave a comment



Flash Reward: Love South Korean contemporary art? Museum and gallery guide giveaway
MoMA collects numerous drawings by Hajra Waheed
Kazakhstani art festival ArtBatFest calls for public arts submissions
ART HK repositions ASIA ONE section for 2012, now “heart” of fair
Museums in the age of the mega-collector: Can public institutions compete? – WSJ Blogs
Meet us at ARCOmadrid 2012! Art Radar participant in Asian Maps IX
Art Radar’s 16 most-searched contemporary Asian artists, July to December 2011
Migrant Ecologies: Innovative Southeast Asian science-art collaboration
Indian art collective WALA wins FICA Public Art Grant 2011 with performance art
Qatar Cézanne purchase points to building of art “museum empire”?