Topic Archives: Art spaces

Chinese art company Affordable Art China Ltd (AAC) will launch an art fair in Hong Kong in 2013. The event will focus on emerging artists and sell contemporary art works at “accessible prices”.

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Does China lack the professional talent and collection strength to support its new arts infrastructure? The New York Times recently published an article on China’s rapid expansion.

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Eleven Asian artists have been included in the inaugural edition of La Triennale, which was launched at the Palais de Tokyo in Paris on 20 April 2012.

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Pearl Lam will be the next high-end commercial gallery to move into the historic Pedder Building. The new 340 square metre gallery space will open to the public on 16 May 2012.

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David Ben Kay’s Yuanfen Flow started out as a house, became a new media art gallery and is now a creative business incubator. Read on to find out more about this unique Beijing space.

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The National recently reported on two cultural development projects set to grow Sharjah’s cultural footprint. The projects herald further development for the burgeoning art hub.

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The Kiran Nadar Museum of Art (KNMA), which opened in 2010, is India’s first philanthropic, profit-free contemporary and modern art museum.

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In a scathing review of Damien Hirst’s ongoing Tate Modern retrospective, Hari Kunzru of The Guardian questions museum independence.

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In addition to improved clarity and new capabilities, Google has also added eleven Asian museums that prominently feature contemporary art to Google Art Project.

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In the second part of our series on Dafen Art Village, we speak to Wang Zeng Chun to find out what it’s like for an original artist in an art district dedicated to copy-art.

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Michael Brand, former Director of the J. Paul Getty Museum, and Roger McIlroy, former Chairperson of Christie’s Australia, are heading back to work in their homeland of Australia.

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Could airports be the new shrines of public art in India? Art-interested travellers are in for a visual treat when stopping by the country’s New Delhi and Mumbai air transport hubs.

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In January 2012, The Wall Street Journal interviewed Siu Li Tan, an assistant director and curator for the Singapore Art Museum (SAM).

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The royal family of Qatar recently purchased Cézanne’s The Card Players for more than USD250 million, the most expensive art acquisition in history.

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In this final installment of our ‘trends in contemporary art’ series, we look at how collectors are adapting to the era of information technology and increased interconnection.

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Seoul Art Space, founded in 2008, has a dual mission that differentiates it from other art foundations. It focuses on reviving abandoned and idle buildings into venues for artists.

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Art Radar interviews Rijin Sahakian on the functions of Echo, a non-profit organisation formed in 2011 to support the growth of contemporary visual art in Iraq and its diaspora.

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The Perth Institute of Contemporary Arts (PICA) in cooperation with the Japan Foundation attempts to show art that has been influenced by Japan’s Tōhoku earthquake.

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Asia Art Archive introduces four new artist-run spaces that opened in late 2010 and 2011 in Manila. Art Radar takes a look and adds one of our own.

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Art Radar lists the twenty artists chosen for solo exhibitions at TWS-Hongo studio by TWS-Emerging in 2011 and takes a closer look at five of them.

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There is a AUD15,000 Banksy lurking in a corridor of one of three of Melbourne’s Art Series Hotels and the company is offering its guests the opportunity to swipe it.

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The Salsali Private Museum, home to the private collection of art patron Ramin Salsali, opened its doors to the public and collectors on 13 November 2011 in Al Quoz, Dubai.

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Flemish artist Wim Delvoye has offered Ai Weiwei the chance to rebuild his demolished Shanghai studio in his planned sculpture park in the grounds of his house in Ghent.

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An article in The Art Newspaper sheds light on the motivations of Ukrainian super-collector Victor Pinchuk. Art Radar sums up highlights from the original piece.

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In an article written for The New York Times, Ceil Miller Bouchet introduces us to the budding art scene in Yangon, the biggest city in isolated Myanmar.

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