Topic Archives: Curatorial practice

The Guggenheim UBS MAP Global Art Initiative aims to open the museum to cross-cultural exchange on a vast scale. The inaugural region will be South and Southeast Asia.

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The Prince Pierre Foundation has brought on Moroccan-born curator Abdellah Karroum as an Artistic Director for their triennial International Contemporary Art Prize.

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In a scathing review of Damien Hirst’s ongoing Tate Modern retrospective, Hari Kunzru of The Guardian questions museum independence.

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A young curator who was born in Japan but now lives and works in London, has been awarded the H+F Curatorial Grant.

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Sharjah Art Foundation is inviting art professionals across the world to attend their 2012 March Meeting, being held from 17 to 19 March 2012.

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Art Radar talks to Lucy Davis about Migrant Ecologies, a project that explores the relationships that exist between both science and art, and nature and humanity.

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The decision to bring contemporary Arab art to Tokyo’s Mori Art Museum also brought with it a number of curatorial challenges, among them, how to define the “Arab world”.

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Guest writer Rajesh Punj interviews Vidya Shivadas, Researcher at the Foundation for Indian Contemporary Art and an important figure in the Indian art scene.

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The Perth Institute of Contemporary Arts (PICA) in cooperation with the Japan Foundation attempts to show art that has been influenced by Japan’s Tōhoku earthquake.

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The Sharjah Art Foundation has announced that Yuko Hasegawa will head the curatorial team for the eleventh edition of the Sharjah Biennial, to be held in March 2013.

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A rainy night in November 2011 saw the Hong Kong opening of Art Supermarket. We popped in to investigate this new concept store and nabbed an interview with the director.

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German curator and art writer Anselm Franke will curate a biennial that draws its thematic inspiration from “the current situation of a global systemic crisis.”

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Art Radar presents key ideas from commentators and critics at The Fourth Moscow Biennale of Contemporary Art, which was themed “Rewriting Worlds”.

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Curator Ranjit Hoskote shares his views on the Venice Biennale model and his image of the event as a shift from spectacle to search engine, nationality to cultural citizenship.

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Part 2 of Art Radar’s interview with Liu Ding and Carol Yinghau Lu in which we ask Lu about her experience as judge of the Golden Lion Awards for the Venice Biennale in 2011.

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The National Art Gallery, Singapore has launched Exhibition Panoramas and Art Radar takes a virtual tour to find out how close to a real show experience the feature is.

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Art Radar looks at the history and development of the Wan Chai Visual Archive, a non-profit, community-focussed, short-term art space in Hong Kong.

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Art Radar talks to Chinese artist-curators Liu Ding and Carol Yinghua Lu, who discuss their ongoing projects, Liu Ding’s Store – In Conversations and Little Movements.

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CONTEMPORARY ART CURATING IN ASIA Inside shopping malls and hotel tearooms, even on boats, art exhibitions in Asia pop up in surprising places. The Asian Curatorial Network Forum, held in Hong Kong in May 2011, highlighted alternatives to traditional museum display. … Continue reading →