Organic sculptural forms and materiality: Kenyan-born artist Wangechi Mutu at Lehmann Maupin, Hong Kong


Wangechi Mutu’s sculptures and paintings parallel the notion of human evolution from biological to societal construct that shape our understanding of nature and one another.

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Reflecting the anxieties of our times through marble sculpture: Australia’s Alex Seton – artist profile


Art Radar profiles Australian artist Alex Seton by taking a look at his recent exhibitions at Sillivan+Strumpf gallery in Sydney and the Newcastle Art Gallery.

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Photo Gallery: “Welcome to Birdhead World Again – Italy 2017”


As part of their residency at Gluck50 in Milan, Birdhead return with an exhibition resulting from their travels around Italy.

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Mastering colour: Franco-Venezuelan kinetic and op artist Carlos Cruz-Diez at Puerta Roja, Hong Kong


This is the first solo gallery exhibition in Hong Kong of artist Carlos Cruz-Diez, one of the founders of the Kinetic and Optical Art movements of the 1950s.

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Constructing identity, shifting borders: Chant Avedissian’s “Transfer, Transport, Transit” at Sabrina Amrani Gallery, Madrid


Chant Avedissian’s return to a gallery marks the time for the artist to talk about our present and changes in our society.

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“The Winding Path to Trueness”: Chinese artist Zheng Guogu explores energy, space and human experience at Vitamin Creative Space’s Mirrored Gardens


In the exhibition presented in Mirrored Gardens in the Panyu District of Guangzhou, Zheng Guogu creates a space where energy converges.

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“Chinese Whispers and Other Stories”, photography-based exhibition tours Canberra and Melbourne, Australia


Four young female Australia-based artists explore cultural identity and ‘Asianness’ in exhibitions in Canberra and Melbourne. Art Radar takes a closer look at the themes that intrigue all four artists. From 27 April to 21 May 2017 Canberra’s Manuka Arts … Continue reading

Photo Gallery: Inside a Mosque with Bangladeshi photographer Shahidul Alam


Bangladeshi photographer Shahidul Alam’s images celebrate the openness to ‘the other’ that a mosque should symbolise, and are on display at Bait Ur Rouf until 10 May 2017.

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