Topic Archives: Professionals

In April 2011, Voice of America reported local curator Erin Gleeson as stating that nearly 80 percent of Cambodian artists are currently making work in response to urbanisation.

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Pearl Lam will be the next high-end commercial gallery to move into the historic Pedder Building. The new 340 square metre gallery space will open to the public on 16 May 2012.

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David Ben Kay’s Yuanfen Flow started out as a house, became a new media art gallery and is now a creative business incubator. Read on to find out more about this unique Beijing space.

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This year ART HK 12 fair see the return of ART HK Projects with its own dedicated curator, Yuko Hasegawa.

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The Prince Pierre Foundation has brought on Moroccan-born curator Abdellah Karroum as an Artistic Director for their triennial International Contemporary Art Prize.

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Lars Nittve, Executive Director of the M+ Museum of Visual Culture in the up-and-coming West Kowloon Cultural District, will take part in a free public forum on 11 April 2012.

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The sixth edition of Art Dubai recently wrapped up, running from 21 to 24 March 2012. The fair reportedly logged high sales, despite political tension in the region fuelled by the Arab Spring.

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Neha Kirpal sat down with ArtTactic to talk about this year’s India Art Fair, the growing international presence in Indian arts and the importance of quality in the contemporary art market.

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A young curator who was born in Japan but now lives and works in London, has been awarded the H+F Curatorial Grant.

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Valerie Doran’s interdisciplinary project STIGMATICS, aims to show the varied facets of body modification as it exists in our society and incorporates two exhibitions and a discussion forum.

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Michael Brand, former Director of the J. Paul Getty Museum, and Roger McIlroy, former Chairperson of Christie’s Australia, are heading back to work in their homeland of Australia.

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The last half of a two part series on Indonesian art in Italy. We talk to Primo Marella, owner and director of the Milan-based Primo Marella Gallery about mapping Asia for European audiences.

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The decision to bring contemporary Arab art to Tokyo’s Mori Art Museum also brought with it a number of curatorial challenges, among them, how to define the “Arab world”.

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An exhibition at the MACRO in Rome signals a significant European breakthrough for artists from the world’s largest archipelago, Indonesia.

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Art Radar interviews Rijin Sahakian on the functions of Echo, a non-profit organisation formed in 2011 to support the growth of contemporary visual art in Iraq and its diaspora.

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Guest writer Rajesh Punj interviews Vidya Shivadas, Researcher at the Foundation for Indian Contemporary Art and an important figure in the Indian art scene.

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The Sharjah Art Foundation has announced that Yuko Hasegawa will head the curatorial team for the eleventh edition of the Sharjah Biennial, to be held in March 2013.

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While on a month’s residency at the Green Papaya Arts project, An Xiao is writing a new series on Hyperallergic based on the ‘contemporary art and technology scene’ in the Philippines.

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The 12th Istanbul Biennial was an unconventional show, but the work by women artists and artists from emerging regions such as the Middle East stand out as strong points.

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A rainy night in November 2011 saw the Hong Kong opening of Art Supermarket. We popped in to investigate this new concept store and nabbed an interview with the director.

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German curator and art writer Anselm Franke will curate a biennial that draws its thematic inspiration from “the current situation of a global systemic crisis.”

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Curator Ranjit Hoskote shares his views on the Venice Biennale model and his image of the event as a shift from spectacle to search engine, nationality to cultural citizenship.

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The Financial Times investigates the profession of art advisory, a field which is experiencing rapid growth in today’s competitive art market.

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Part 2 of Art Radar’s interview with Liu Ding and Carol Yinghau Lu in which we ask Lu about her experience as judge of the Golden Lion Awards for the Venice Biennale in 2011.

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Art Radar looks at the history and development of the Wan Chai Visual Archive, a non-profit, community-focussed, short-term art space in Hong Kong.

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