Topic Archives: Curators

In April 2011, Voice of America reported local curator Erin Gleeson as stating that nearly 80 percent of Cambodian artists are currently making work in response to urbanisation.

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This year ART HK 12 fair see the return of ART HK Projects with its own dedicated curator, Yuko Hasegawa.

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The Prince Pierre Foundation has brought on Moroccan-born curator Abdellah Karroum as an Artistic Director for their triennial International Contemporary Art Prize.

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A young curator who was born in Japan but now lives and works in London, has been awarded the H+F Curatorial Grant.

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Valerie Doran’s interdisciplinary project STIGMATICS, aims to show the varied facets of body modification as it exists in our society and incorporates two exhibitions and a discussion forum.

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The decision to bring contemporary Arab art to Tokyo’s Mori Art Museum also brought with it a number of curatorial challenges, among them, how to define the “Arab world”.

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An exhibition at the MACRO in Rome signals a significant European breakthrough for artists from the world’s largest archipelago, Indonesia.

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The Sharjah Art Foundation has announced that Yuko Hasegawa will head the curatorial team for the eleventh edition of the Sharjah Biennial, to be held in March 2013.

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The 12th Istanbul Biennial was an unconventional show, but the work by women artists and artists from emerging regions such as the Middle East stand out as strong points.

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German curator and art writer Anselm Franke will curate a biennial that draws its thematic inspiration from “the current situation of a global systemic crisis.”

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Curator Ranjit Hoskote shares his views on the Venice Biennale model and his image of the event as a shift from spectacle to search engine, nationality to cultural citizenship.

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Part 2 of Art Radar’s interview with Liu Ding and Carol Yinghau Lu in which we ask Lu about her experience as judge of the Golden Lion Awards for the Venice Biennale in 2011.

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Art Radar looks at the history and development of the Wan Chai Visual Archive, a non-profit, community-focussed, short-term art space in Hong Kong.

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Art Radar talks to Chinese artist-curators Liu Ding and Carol Yinghua Lu, who discuss their ongoing projects, Liu Ding’s Store – In Conversations and Little Movements.

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A China first, “NEW AGE: NEW MEDIA” exhibition is showing twelve Australian and Chinese video works over seven months in a Chinese-wide tour that ends December 2012.

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What does literature or the idea of friendship have to do with globalisation? We bring you a summary of Singaporean art critic and curator Weng Choy Lee’s ART on AIR talk.

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We talk to MoMA about 3 photographs by Chinese artists Ai Weiwei, Rong Rong and Huang Yan, on show for the first time since their acquisition by the museum in 2008.

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Arts in Marrakech (AiM) has announced the two curators of the event’s the Main Visual Arts Exhibition, titled “Higher Atlas”, which is scheduled for 2012.

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Art Radar Asia tours Indian artist Sheela Gowda’s first UK solo with guest curator Ruth Noack. The tour focusses on the ground-floor installation of all people (2011).

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Part two of our interview with Tate curator Juliet Bingham on Ai Weiwei’s “Sunflower Seeds” exhibit; historical significance and management of installation discussed.

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Tate curator Juliet Bingham talks to Pippa Dennis on the challenges of curating Ai Weiwei’s Sunflower Seeds and the artist’s talent for social media.

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Report by The Japan Times on cutting-edge exhibitions organised by Japanese curator group 0000 that drew attention (and funds) from Takashi Murakami.

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MUMBAI ART SHOW SAKSHI GALLERY SWAPAN SETH Mumbai-based Sakshi Gallery has made the rather unusual decision of having a first-time curator put together its golden jubilee show. Having said that, the gallery is well-known for exhibiting experimental works so perhaps, … Continue reading →

While not strictly related to contemporary or visual art in Asia, we thought this social media experiment undertaken by Powerhouse Museum in Sydney was worth highlighting. The museum took part in Ask a Curator Day, a global activity that utilises the wonders of social media as a primary avenue for museum curators and audiences to interact. While Twitter is generally the favoured communication platform on this day, Powerhouse made the decision to focus on Facebook instead – Twitter’s 140 character restriction was revealed to make any real discussion difficult. Continue reading →

VENICE BIENNIAL CENTRAL ASIAN PAVILLION ART CURATORS How and with whom does the contemporary art of Central Asia communicate? To whom is it addressed? In which language does it speak? Does it use a lingua franca, the language of most … Continue reading →