Hong Kong M+ Curator Pauline J. Yao on the M+ Collection – interview


Hong Kong M+ curator Pauline J. Yao talks to Art Radar about the museum’s collection.

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South African Gabi Ngcobo appointed curator of 10th Berlin Biennale


The Berlin Biennale has announced South Africa’s Gabi Ngcobo as the curator of its upcoming 10th edition in 2018.

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7 exhibitions and events not to miss at ACAW 2016 in New York


Asia Contemporary Art Week is a series of exhibitions, events and symposia held across New York City that seeks to heighten the awareness and visibility of contemporary art practices from Asia within the United States.

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Power 100: ArtReview lists the top 100 names in the art world for 2016


In this 15th edition of Power 100, while Swiss curator Hans Ulrich Obrist tops the list, Asia and Africa spots new entries.

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Singapore Biennale Creative Director Susie Lingham: an approach to interdisciplinary curation – video


Singapore Biennale Creative Director Susie Lingham speaks about curating, censorship and the Singaporean art scene at Experimenter Curators’ Hub 2016.

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Music as Freedom: sound in the visual art practice of Vietnam’s Vũ Dân Tân – artist profile


Long considered the acute opposite of mainstream Vietnamese contemporary art, artist Vũ Dân Tân is celebrated with a three-week long exhibition that examines his mixed media and installation practice, that towards the end of his life incorporated sound and music components as a means to interrogate the cultural traditions of his home country.

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Art, Food and the City: ‘The Unappropriated Recipes’, Para Site’s Kickstarter Campaign


Hong Kong’s Para Site art space launches Kickstarter crowdfunding campaign for The Unappropriated Recipes, a book championing the connection between art, food and the city.

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“Between the sky and the earth”: Artistic Director Marc Schmitz on the 4th Land Art Mongolia – in conversation


Art Radar catches up with Artistic Director Marc Schmitz of LAM to talk about this walking museum without walls located in sacred mountains of the Gobi.

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