“Earth Families”: Indian artist Reena Saini Kallat at the Manchester Museum


In a hybridity that also characterises her practice, Kallat’s works interact with the Museum’s collection in a thought-provoking dialogue about identity, memory, history and the natural world.

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“Bruchstücke/Fragments”: an archaeological excavation of history by Lebanese artist Rayyane Tabet at Kunstverein in Hamburg


Rayyane Tabet presents “Bruchstücke/Fragments”, focusing on the history of the Syrian settlement of Tell Halaf.

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The “gold standard” for art in South Asia: Dhaka Art Summit 2018


Art Radar explores some of the highlights of the programme of Dhaka Art Summit 2018, which runs until 10 February 2018.

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2 emerging Filipino artists to know: Corinne de San Jose and Rafael T. Napay


Manila-based Silverlens gallery hosts simultaneous solo exhibitions by two emerging Filipino artists.

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“I Am The Single Work Artist”: UAE’s Hassan Sharif – artist profile


Hassan Sharif’s retrospective exhibition celebrates the artist’s career and lifelong connection to the Emirate of Sharjah.

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Art of the “VIPs”: Korean artist Haegue Yang at Kunsthaus Graz, Universalmuseum Joanneum


On show until 28 January 2018, Phase I of the exhibition invites local “VIPs” to participate through lending furniture of their choice to the display.

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“Sealed Time”: Nadia Kaabi-Linke on historical memory and the legacy of colonialism – interview


Nadia Kaabi-Linke’s sculpture practices often engages with the materiality of historical memory, particularly in relation to the legacy of colonialism as it exists in relation to the European nation state’s bureaucracy systems. Art Radar talked to Nadia Kaabi-Linke about her latest retrospective exhibition “Sealed Time”.

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“Take Me (I’m Yours)”: experience works of art at Pirelli HangarBicocca, Milan


Art Radar explores “Take Me (I’m Yours)” at Pirelli HangarBicocca in Milan.

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