“Prejudice at Home: A Parlour, a Library, and a Room”: British-Nigerian artist Yinka Shonibare at James Cohan, New York – in pictures


British-Nigerian artist Yinka Shonibare highlights issues of power and prejudice through the lens of history.

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Photo Gallery: “An Atlas of Mirrors”, Singapore Biennale 2016


Art Radar features an exclusive photo gallery from the Singapore Biennale 2016, closing on 26 February 2017.

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“Artist and Empire: (En)countering Colonial Legacies” at National Gallery Singapore


The National Gallery Singapore features an exhibition first presented at Tate Britain in 2015, shedding light on the art in Asia associated with the British Empire and contemporary artists’ critiques on colonialism.

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“In the Heart of the Cosmos”: Asad Faulwell at Lawrie Shabibi, Dubai – in pictures


Iranian-American artist Asad Faulwell develops new work for his ongoing series “Les Femmes d’Alger”.

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The iconic imagery of Malick Sidibé the “Eye of Bamako” at Somerset House, London


Somerset House and 1:54 Contemporary African Art Fair in conjunction with Paris-based MAGNIN-A gallery opened the first major UK solo show of the recently deceased Malian photographer Malick Sidibé.

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Three Exhibitions of Sudanese Art at the Sharjah Art Foundation


The Sharjah Art Foundation presents three exhibitions of Sudanese art until 12 January 2017.

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South African artist William Kentridge’s “Thick Time” at Whitechapel Gallery, London


In an exhibition jointly organized with the Louisiana Museum of Art, in Denmark and the Museum der Moderne Salzburg, Whitechapel Gallery opened on 21 September “Thick Time” featuring the work of internationally renowned South African artist, William Kentridge, which examines the ways in time and place have been manipulated during colonial and industrial expansion, as well as notions of control exercised during periods of great political upheaval.

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