Topic Archives: Asia expands

Does China lack the professional talent and collection strength to support its new arts infrastructure? The New York Times recently published an article on China’s rapid expansion.

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Closing out the inaugural Dhaka Art Summit, which ran from 12 to 15 April 2012, the Samdani Art Awards were given to Bangladeshi artists Khaled Hasan and Musrat Reazi.

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The National recently reported on two cultural development projects set to grow Sharjah’s cultural footprint. The projects herald further development for the burgeoning art hub.

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Neha Kirpal sat down with ArtTactic to talk about this year’s India Art Fair, the growing international presence in Indian arts and the importance of quality in the contemporary art market.

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In a recent interview with Asia Art Archive, Hong Kong artist Chu Hing Wah commented on the West Kowloon Cultural District (WKCD) and the M+ contemporary art museum.

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Sharjah Art Foundation is inviting art professionals across the world to attend their 2012 March Meeting, being held from 17 to 19 March 2012.

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In 2012, the Singapore Tyler Print Institute will participate in The Armory Show in New York City. STPI is the first Southeast Asian gallery ever to attend Armory.

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In this first post in a two-part series reporting on the contemporary art scene in southern China, Art Radar takes a look at the art copy village of Dafen.

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By centralising its ASIA ONE section, ART HK is attempting to assert its “unique” position as the “only world class art fair to have a 50/50 balance of Asian and Western participation”.

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The royal family of Qatar recently purchased Cézanne’s The Card Players for more than USD250 million, the most expensive art acquisition in history.

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Art Radar takes a closer look at the proliferating galleries and art spaces of Lado Sarai, an art district that has sprung up in the south west of New Delhi, India.

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In this third installation of our four part Asian art trends series, we look at trends that, while tangential to the contemporary art world, will have vital influence.

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Returning for a sixth year as part of the Art Dubai contemporary art fair, the Global Arts Forum 2012 will expand to six days and spread to two cities.

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The past decade has seen galleries expand, both in their reach and roles. Just how are they responding to the challenges of a globalised world? We explore in the second post in our 2012 and beyond art trend series.

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The first Kosmopolite Art Tour event to be held in Asia took place in Jakarta, a thriving Southeast Asian hub for graffiti art, in December 2011. Art Radar talks to co-founder Kongo.

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Art Radar interviews Rijin Sahakian on the functions of Echo, a non-profit organisation formed in 2011 to support the growth of contemporary visual art in Iraq and its diaspora.

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The Miami Herald questioned six art professionals on their views on global art trends. We summarise the main points from the article and supplement them with thoughts of our own.

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Guest writer Rajesh Punj interviews Vidya Shivadas, Researcher at the Foundation for Indian Contemporary Art and an important figure in the Indian art scene.

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The Perth Institute of Contemporary Arts (PICA) in cooperation with the Japan Foundation attempts to show art that has been influenced by Japan’s Tōhoku earthquake.

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The India Art Fair, formally the India Art Summit, is launching Collectors’ Circle, an ongoing membership programme which aims to connect and educate emerging collectors.

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The response to Christie’s Hong Kong day sale of Asian Contemporary Art, held on 27 November 2011, was restrained. 28 percent of works in the 273-lot sale failed to sell.

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This post in the ‘List’ series focuses on the latest trends in the contemporary Asian art market and summarises the 5 top posts the the Art Radar archive over the last year.

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Forty Asian artists are participating in the 2011 Asian Art Biennial. Curator Iris Shu-Ping Huang has asked each to reflect upon today’s “M-shaped” Asian society.

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Top auction houses Sotheby’s and Christie’s are putting together special sales in an effort to grab the attention of collectors from emerging markets, the Financial Times reports.

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White Cube is the latest in a string of international contemporary art interests moving into Hong Kong, hoping to take advantage of China’s growing taste for art collection.

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