Topic Archives: Trends

Art Radar takes a closer look at the proliferating galleries and art spaces of Lado Sarai, an art district that has sprung up in the south west of New Delhi, India.

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In an article published in The Washington Post in December 2011, Meredith Palmer talks about one of the first surveys of historical and American abstract paintings to head to China.

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In this third installation of our four part Asian art trends series, we look at trends that, while tangential to the contemporary art world, will have vital influence.

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“Bloom: Cut Paper by Bovey Lee” was on display at the International Finance Centre in Shanghai and contained a dozen of the artist’s recent works, showcasing her stunning mastery of the traditional form.

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Returning for a sixth year as part of the Art Dubai contemporary art fair, the Global Arts Forum 2012 will expand to six days and spread to two cities.

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The past decade has seen galleries expand, both in their reach and roles. Just how are they responding to the challenges of a globalised world? We explore in the second post in our 2012 and beyond art trend series.

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From 12-15 January, the Marina Bay Sands Convention and Exhibtion Center hosted the second annual Art Stage Singapore, organised by Art Basel and Art Basel Miami founder Lorenzo Rudolf.

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Art Radar is kicking off 2012 with a series of four posts that outline new trends in the Asian art world. How will dealers adapt as the world experiments with online market places?

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The first Kosmopolite Art Tour event to be held in Asia took place in Jakarta, a thriving Southeast Asian hub for graffiti art, in December 2011. Art Radar talks to co-founder Kongo.

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Art Radar interviews Rijin Sahakian on the functions of Echo, a non-profit organisation formed in 2011 to support the growth of contemporary visual art in Iraq and its diaspora.

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The Miami Herald questioned six art professionals on their views on global art trends. We summarise the main points from the article and supplement them with thoughts of our own.

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Guest writer Rajesh Punj interviews Vidya Shivadas, Researcher at the Foundation for Indian Contemporary Art and an important figure in the Indian art scene.

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Tenzing Rigdol, a Tibetan contemporary artist, transported 20,000 kilograms of Tibetan soil to Dharamsala, India, for Our Land, Our People, a site-specific installation piece.

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ArtsHub recently named Australia’s top six arts philanthropists, individuals who made a difference by supporting the Australian arts scene.

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The Perth Institute of Contemporary Arts (PICA) in cooperation with the Japan Foundation attempts to show art that has been influenced by Japan’s Tōhoku earthquake.

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Asia Art Archive introduces four new artist-run spaces that opened in late 2010 and 2011 in Manila. Art Radar takes a look and adds one of our own.

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In his November 2011 BorneoPost online article, writer Ghaz Ghazali explores Taipei and thrusts the city’s public art into the limelight.

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The India Art Fair, formally the India Art Summit, is launching Collectors’ Circle, an ongoing membership programme which aims to connect and educate emerging collectors.

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HelpersUnite is the first platform to combine fundraising for creative and business ventures with charitable giving and online event ticketing. Art Radar takes a closer look.

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While on a month’s residency at the Green Papaya Arts project, An Xiao is writing a new series on Hyperallergic based on the ‘contemporary art and technology scene’ in the Philippines.

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In a TED Talks video posted in May 2011, Shirin Neshat tells the audience how, as an artist in exile, she was inspired by her home country and people there.

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The first UK retrospective of works by internationally renowned Bangladeshi photographer and social activist Shahidul Alam is on at London’s Wilmotte Gallery until December 2011.

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Art Radar reviews the successes and the pitfalls of selling art online while also looking at how the first India Art Collective online art fair compares to VIP Art Fair.

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“One World Exposition”, a project curated by Videotage, aims to “re-engage contemporary Chinese art from regional, national and global perspectives.”

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Chinese artist Cao Fei discusses the anti-hero characteristics she gave factory workers from the Pearl River Delta region in China in a recent theatrical work.

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