Photo Gallery: “Welcome to Birdhead World Again – Italy 2017”


As part of their residency at Gluck50 in Milan, Birdhead return with an exhibition resulting from their travels around Italy.

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Snapshots of precariousness: Mono-ha artist Kishio Suga’s “Situations” at Pirelli HangarBicocca, Milan


Japanese artist Kishio Suga’s retrospective “Situations” reflects on the notions of uncertainty and relationship through the eye of Mono-ha compositions.

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Chinese women artists explore humanity’s relationship with nature – in pictures


Beijing’s Italian Center exhibition exploring the relationship between humans and nature features five Chinese women artists, who will also be taking part in an exhibition at Milan EXPO 2015 in October.

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Tearing down the past to build the future: Yang Yongliang, Chinese artist interview


Art Radar interviews artist Yang Yongliang, whose digital works comment on how the ancient past is in the process of being erased by the machinery of urbanisation.

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“DEEP S.E.A.”: Art to preserve heritage? Nithakhong Somsanith and La Huy


In the fourth and final post in our series on Primo Marella Gallery’s “DEEP S.E.A.” exhibition, we delve into the works of Nithakhong Somsanith and La Huy.

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DEEP S.E.A.: Khvay Samnang, Aditya Novali and Donna Ong’s tales of three cities


In our third post on Primo Marella Gallery’s “DEEP S.E.A.” exhibition, we examine different responses from three Southeast Asian artists to the realities of contemporary urban life.

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“DEEP S.E.A.”: Singapore artist Ruben Pang’s search for “melody in white noise”


Singapore-born painter Ruben Pang talks with Art Radar about his unconventional way of approaching painting in the second of a short series of posts on artists in late 2012 Italian exhibition “DEEP S.E.A.”.

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“DEEP S.E.A.”: Why concept determines medium for Burmese artist Aung Ko


In the first in a short series of examinations of artwork in Primo Marella Gallery’s “DEEP S.E.A.” exhibition, curator Iola Lenzi talks to Art Radar about Myanmar artist Aung Ko’s artworks and practice.

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