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	<title>Comments for Art Radar Asia</title>
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	<link>http://artradarjournal.com</link>
	<description>Contemporary art trends and news from Asia and beyond</description>
	<lastBuildDate>Mon, 20 Feb 2012 18:50:17 +0000</lastBuildDate>
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		<title>Comment on What is Street Art? Vandalism, graffiti or public art- Part I by VÄGGER &#124; Konsthopp</title>
		<link>http://artradarjournal.com/2010/01/21/what-is-street-art-vandalism-graffiti-or-public-art-part-i/#comment-13471</link>
		<dc:creator>VÄGGER &#124; Konsthopp</dc:creator>
		<pubDate>Mon, 20 Feb 2012 18:50:17 +0000</pubDate>
		<guid isPermaLink="false">http://artradarasia.wordpress.com/?p=4738#comment-13471</guid>
		<description>[...] most art forms, there is no simple definition of street art. The following definition is taken from Art Radar Asia: It is an amorphous beast encompassing art which is found in or inspired by the urban environment. [...]</description>
		<content:encoded><![CDATA[<p>[...] most art forms, there is no simple definition of street art. The following definition is taken from Art Radar Asia: It is an amorphous beast encompassing art which is found in or inspired by the urban environment. [...]</p>
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		<title>Comment on Art Radar&#8217;s 16 most-searched contemporary Asian artists, July to December 2011 by Kate Korroch &#187; Blog Archive &#187; Sunday Morning Coffee (Pink Splash on a Monday Morning)</title>
		<link>http://artradarjournal.com/2012/02/15/art-radar-20-most-searched-contemporary-asian-artists-to-december-2011/#comment-13467</link>
		<dc:creator>Kate Korroch &#187; Blog Archive &#187; Sunday Morning Coffee (Pink Splash on a Monday Morning)</dc:creator>
		<pubDate>Mon, 20 Feb 2012 14:43:00 +0000</pubDate>
		<guid isPermaLink="false">http://artradarjournal.com/?p=13084#comment-13467</guid>
		<description>[...] Art Radar&#8217;s 16 most searched Asian artists from July-December 2011. It looks like Ai Weiwei was number one but they also reported a surge in searches for Korean artists (I hope thats not just me doing thesis research!). Lee Yong-baek was number 8 on the list, I am in the midst of writing a chapter on him. Share this:ShareTwitterEmailPrintShareStumbleUponDigg Posted: February 20th, 2012 &#124; Author: Kate &#124; Filed under: Art Review, Body, Sunday Morning Coffee, Uncategorized &#124; Tags: Ai Weiwei, Art Radar, body, censorship, Chicago, North Korea, pink, SAIC, Singapore, South Korea &#124; No Comments &#187; [...]</description>
		<content:encoded><![CDATA[<p>[...] Art Radar&#8217;s 16 most searched Asian artists from July-December 2011. It looks like Ai Weiwei was number one but they also reported a surge in searches for Korean artists (I hope thats not just me doing thesis research!). Lee Yong-baek was number 8 on the list, I am in the midst of writing a chapter on him. Share this:ShareTwitterEmailPrintShareStumbleUponDigg Posted: February 20th, 2012 | Author: Kate | Filed under: Art Review, Body, Sunday Morning Coffee, Uncategorized | Tags: Ai Weiwei, Art Radar, body, censorship, Chicago, North Korea, pink, SAIC, Singapore, South Korea | No Comments &#187; [...]</p>
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		<title>Comment on Contemporary Indian art meets tradition at inaugural &#8216;Sowing Seeds&#8217; artist workshop in Rajasthan, India -interview by Mr. Soumya Chakraborty</title>
		<link>http://artradarjournal.com/2010/03/23/contemporary-indian-art-meets-tradition-at-inaugural-sowing-seeds-artist-workshop-in-rajasthan-india-interview/#comment-13449</link>
		<dc:creator>Mr. Soumya Chakraborty</dc:creator>
		<pubDate>Sat, 18 Feb 2012 11:32:22 +0000</pubDate>
		<guid isPermaLink="false">http://artradarasia.wordpress.com/?p=4943#comment-13449</guid>
		<description>Dear sir
I have completed my Master in Fine Arts (M.F.A)2002 from M.S University,Baroda and Bachelor in Fine Arts (B.F.A)2000 from Kala-Bhavan,Visva-Bharati University,Shantiniketan.W.B. I like to take part to this art workshop ,working as an artist from 2001 .I have participated several art exhibitions .Please reply me that what are the procedure to participate this workshop.</description>
		<content:encoded><![CDATA[<p>Dear sir<br />
I have completed my Master in Fine Arts (M.F.A)2002 from M.S University,Baroda and Bachelor in Fine Arts (B.F.A)2000 from Kala-Bhavan,Visva-Bharati University,Shantiniketan.W.B. I like to take part to this art workshop ,working as an artist from 2001 .I have participated several art exhibitions .Please reply me that what are the procedure to participate this workshop.</p>
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		<title>Comment on What is ahead for contemporary Asian art, 2012 and beyond? Part III by ashok</title>
		<link>http://artradarjournal.com/2012/02/01/what-is-ahead-for-contemporary-asian-art-2012-and-beyond-part-iii/#comment-13448</link>
		<dc:creator>ashok</dc:creator>
		<pubDate>Sat, 18 Feb 2012 06:24:04 +0000</pubDate>
		<guid isPermaLink="false">http://artradarjournal.com/?p=12920#comment-13448</guid>
		<description>Thanks for an informative article on aspects of contemporary Asian art. Hope you will cover some of the exciting work being done in India too in a future article. My work is just a small humble sample (http://formandcolor.blogspot.com) of the different types of contemporary art in India today. 
regards.</description>
		<content:encoded><![CDATA[<p>Thanks for an informative article on aspects of contemporary Asian art. Hope you will cover some of the exciting work being done in India too in a future article. My work is just a small humble sample (<a href="http://formandcolor.blogspot.com" rel="nofollow">http://formandcolor.blogspot.com</a>) of the different types of contemporary art in India today.<br />
regards.</p>
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		<title>Comment on What is Street Art? Vandalism, graffiti or public art- Part I by SE LEN TOPIC</title>
		<link>http://artradarjournal.com/2010/01/21/what-is-street-art-vandalism-graffiti-or-public-art-part-i/#comment-13416</link>
		<dc:creator>SE LEN TOPIC</dc:creator>
		<pubDate>Thu, 16 Feb 2012 21:19:55 +0000</pubDate>
		<guid isPermaLink="false">http://artradarasia.wordpress.com/?p=4738#comment-13416</guid>
		<description>Unfortunately, this onion has many layers. A true graffiti artist will know that bombing is just as an essential part of graf as is piecing..  The issue we face is that some people just choose to “bomb” and others are more into the artistic side (know as piecing). When we would paint trains back in the 80&#039;s – there were nights when we were only in the mood to do 10 second throw-ups – then we had nights were 7 hour burners were on the menu.  To be well rounded – you need to dominate to some extent every layer in this onion. Nowadays, the risks are much greater as we are older - so we enjoy the fun of a legal wall. But it isnt the same to be honest, there is always going to be that itch to flood a homemade and bomb insides....</description>
		<content:encoded><![CDATA[<p>Unfortunately, this onion has many layers. A true graffiti artist will know that bombing is just as an essential part of graf as is piecing..  The issue we face is that some people just choose to “bomb” and others are more into the artistic side (know as piecing). When we would paint trains back in the 80&#8242;s – there were nights when we were only in the mood to do 10 second throw-ups – then we had nights were 7 hour burners were on the menu.  To be well rounded – you need to dominate to some extent every layer in this onion. Nowadays, the risks are much greater as we are older &#8211; so we enjoy the fun of a legal wall. But it isnt the same to be honest, there is always going to be that itch to flood a homemade and bomb insides&#8230;.</p>
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		<title>Comment on What is ahead for contemporary Asian art, 2012 and beyond? Part IV by Kate Nicholson</title>
		<link>http://artradarjournal.com/2012/02/08/what-is-ahead-for-contemporary-asian-art-2012-and-beyond-part-iv/#comment-13352</link>
		<dc:creator>Kate Nicholson</dc:creator>
		<pubDate>Mon, 13 Feb 2012 01:14:44 +0000</pubDate>
		<guid isPermaLink="false">http://artradarjournal.com/?p=12986#comment-13352</guid>
		<description>Thank you for your kind response, Hermann. Hopefully these trends of transparency and direct communication between artist and public will continue around Asia. We&#039;re thrilled that we are able to provide clear information that assists all art professionals in navigating the contemporary art market. What other kinds of articles would you like to see published on Art Radar?</description>
		<content:encoded><![CDATA[<p>Thank you for your kind response, Hermann. Hopefully these trends of transparency and direct communication between artist and public will continue around Asia. We&#8217;re thrilled that we are able to provide clear information that assists all art professionals in navigating the contemporary art market. What other kinds of articles would you like to see published on Art Radar?</p>
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		<title>Comment on What is Street Art? Vandalism, graffiti or public art- Part I by Kate Nicholson</title>
		<link>http://artradarjournal.com/2010/01/21/what-is-street-art-vandalism-graffiti-or-public-art-part-i/#comment-13293</link>
		<dc:creator>Kate Nicholson</dc:creator>
		<pubDate>Fri, 10 Feb 2012 06:22:20 +0000</pubDate>
		<guid isPermaLink="false">http://artradarasia.wordpress.com/?p=4738#comment-13293</guid>
		<description>Thank you for your comment. Although graffiti and street art have gained respect in the art world in recent years, the practice remains a highly disputed medium of self-expression. The problem persists that some still see little technical distinction between inspirational, well-crafted graffiti artwork and the more common, destructive ‘tags’ which often have negative messages.
 
As an artist, do you see these types of graffiti as fundamentally different, one as legitimate artistic expression and another as a nuisance? Where should communities draw the line in regards to accepting or tolerating thoughtful, skillfully executed graffiti art?
 
These are tough questions with no easy answer!</description>
		<content:encoded><![CDATA[<p>Thank you for your comment. Although graffiti and street art have gained respect in the art world in recent years, the practice remains a highly disputed medium of self-expression. The problem persists that some still see little technical distinction between inspirational, well-crafted graffiti artwork and the more common, destructive ‘tags’ which often have negative messages.</p>
<p>As an artist, do you see these types of graffiti as fundamentally different, one as legitimate artistic expression and another as a nuisance? Where should communities draw the line in regards to accepting or tolerating thoughtful, skillfully executed graffiti art?</p>
<p>These are tough questions with no easy answer!</p>
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		<title>Comment on What is ahead for contemporary Asian art, 2012 and beyond? Part IV by Hermann Pikus</title>
		<link>http://artradarjournal.com/2012/02/08/what-is-ahead-for-contemporary-asian-art-2012-and-beyond-part-iv/#comment-13281</link>
		<dc:creator>Hermann Pikus</dc:creator>
		<pubDate>Thu, 09 Feb 2012 10:34:00 +0000</pubDate>
		<guid isPermaLink="false">http://artradarjournal.com/?p=12986#comment-13281</guid>
		<description>Loved this series of articles. This final one: avenues of communication between all involved in art, affected me the most. It gave me some insights into how art in the 21st Century might begin to evolve ... positively, by involving people directly, and so bypass the hegemony of &#039;market forces&#039; (especially here in Japan, where artists have to pay for gallery space -in order to show their work- and gallery owners do nothing, expecting the &#039;customers&#039; to just turn up). It also gave me hope that there will come a time when it will be possible to get work out to a much wider audience (without having to find -and then get locked into- a gallery which limits the amount of dialogue between artists and art lovers). Excellent work, Art Radar!</description>
		<content:encoded><![CDATA[<p>Loved this series of articles. This final one: avenues of communication between all involved in art, affected me the most. It gave me some insights into how art in the 21st Century might begin to evolve &#8230; positively, by involving people directly, and so bypass the hegemony of &#8216;market forces&#8217; (especially here in Japan, where artists have to pay for gallery space -in order to show their work- and gallery owners do nothing, expecting the &#8216;customers&#8217; to just turn up). It also gave me hope that there will come a time when it will be possible to get work out to a much wider audience (without having to find -and then get locked into- a gallery which limits the amount of dialogue between artists and art lovers). Excellent work, Art Radar!</p>
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		<title>Comment on Top 10 social networking sites for art by Kate Nicholson</title>
		<link>http://artradarjournal.com/2009/03/24/top-10-social-networking-sites-for-art/#comment-13269</link>
		<dc:creator>Kate Nicholson</dc:creator>
		<pubDate>Wed, 08 Feb 2012 15:57:55 +0000</pubDate>
		<guid isPermaLink="false">http://artradarasia.wordpress.com/?p=2036#comment-13269</guid>
		<description>Thank you for your comment, Jasmine. Hopefully some of the sites listed in our article will work for you.</description>
		<content:encoded><![CDATA[<p>Thank you for your comment, Jasmine. Hopefully some of the sites listed in our article will work for you.</p>
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		<title>Comment on Top 10 social networking sites for art by jasmine</title>
		<link>http://artradarjournal.com/2009/03/24/top-10-social-networking-sites-for-art/#comment-13268</link>
		<dc:creator>jasmine</dc:creator>
		<pubDate>Wed, 08 Feb 2012 15:45:32 +0000</pubDate>
		<guid isPermaLink="false">http://artradarasia.wordpress.com/?p=2036#comment-13268</guid>
		<description>I need help finding a social networking site for artist.</description>
		<content:encoded><![CDATA[<p>I need help finding a social networking site for artist.</p>
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