Tag Archives: Asian art

Pearl Lam will be the next high-end commercial gallery to move into the historic Pedder Building. The new 340 square metre gallery space will open to the public on 16 May 2012.

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Shortlisted work by Yeondoo Jung, a leading Korean contemporary photographer, is part of a travelling exhibition for “Growth 2011″, the third theme for the Prix Pictet.

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The Kiran Nadar Museum of Art (KNMA), which opened in 2010, is India’s first philanthropic, profit-free contemporary and modern art museum.

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Art Radar looks into Hong Kong Contemporary, a hotel art fair that will run concurrently with ART HK 12 in an effort to draw international collectors and visitors.

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The past decade has seen galleries expand, both in their reach and roles. Just how are they responding to the challenges of a globalised world? We explore in the second post in our 2012 and beyond art trend series.

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Seoul Art Space, founded in 2008, has a dual mission that differentiates it from other art foundations. It focuses on reviving abandoned and idle buildings into venues for artists.

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Eric Quah talks to Malaysian English daily New Straits Times about his 44th solo exhibition, a retrospective spanning his international art career of almost five decades. We profile the artist.

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Art Radar reviews the successes and the pitfalls of selling art online while also looking at how the first India Art Collective online art fair compares to VIP Art Fair.

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A recent article published in The Wall Street Journal gives us a rare peek into the minds and habits of seven top collectors and the strategies that they are employing.

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Japanese-style houses built in Taiwan at the turn of the century are the subject in a new series by photographer Tomoko Yoneda, called “Japanese House”.

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Curator Ranjit Hoskote shares his views on the Venice Biennale model and his image of the event as a shift from spectacle to search engine, nationality to cultural citizenship.

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This post in the ‘List’ series focuses on the latest trends in the contemporary Asian art market and summarises the 5 top posts the the Art Radar archive over the last year.

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Art Radar’s ‘Lists’ series continues with a look at five of the top posts on contemporary art funding in Asia.

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ART HK 11 is over and as art world attention moves back to Europe, we take a look at what pavilions from the Asian region are offering viewers at the 54th Venice Biennale.

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Thai installation artist Rirkrit Tiravanija appears in another great video interview by Studio Banana TV in which the internationally known artist talks on social intentions.

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We move away from reporting on the “blue-chip” sales at ART HK 11 and take a closer look at what was happening in the new ASIA ONE and ART FUTURES sections of the fair.

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We talk to Hong Kong artist Kacey Wong about why he is so strongly involved in local protest action and what Ai Weiwei’s detention means for the city’s art community.

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Singapore Biennale 2011 has turned the city’s Kallang Airport into a venue for art, one that houses more work by artists in the event than any other biennale space.

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Want to know which art markets are set to emerge? The third ArtInsight market seminar for 2011 gathers professionals to discuss Russia, India, Brazil, Africa and others.

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Art Radar Asia tours Indian artist Sheela Gowda’s first UK solo with guest curator Ruth Noack. The tour focusses on the ground-floor installation of all people (2011).

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The Taipei Times reviews MoMA NY’s latest publication on Chinese Contemporary art, labelling it “serenely astute, clear-headed and sane.”

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Exhibition “False Friends/An Ephemeral Video Library” marks the first time Taiwanese digital art has been showcased in an established Paris gallery. Three Taiwanese artists, Ming-Yu Lee, Wu Shang Lin and Chia Wei Hsu, are among 24 international artists whose video-based works are on display in the city’s Jeu de Paume.

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Art Radar Asia has put together a list of this year’s biggest-selling Asian artists, compiled from the Artprice Annual Report (2009/2010). Out of the 500 international contemporary artists named by Artprice, 238 come from Asia. With artists like Yifei Chen (China), Anish Kapoor (India) and Takashi Murakami (Japan) topping the list, the results of this report are a testament to the continued growth of the Asian art market. Continue reading →

Last week Art Radar outlined in an article the arguments presented for the motion by three of the speakers involved in “The Most Groundbreaking Contemporary Art is from the East” debate. This week we outline the arguments against the motion as presented by art professionals Sarah Kent, Kenny Schachterand Richard Wentworth.

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Art enthusiasts and those at the top of the art profession gathered on 11 November at The Saatchi Gallery to witness “The Most Ground Breaking Contemporary Art is from the East”. This debate, organised by Intelligence Squared, a global forum for live debate that is dedicated to producing knowledge through contest, explored the growth of Eastern economies and its effect on the globalised art market. And sitting among the audience was Art Radar, armed with a tape recorder and notepad, busy getting the information we pass onto you now.

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