“DEEP S.E.A.”: Art to preserve heritage? Nithakhong Somsanith and La Huy


In the fourth and final post in our series on Primo Marella Gallery’s “DEEP S.E.A.” exhibition, we delve into the works of Nithakhong Somsanith and La Huy.

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DEEP S.E.A.: Khvay Samnang, Aditya Novali and Donna Ong’s tales of three cities


In our third post on Primo Marella Gallery’s “DEEP S.E.A.” exhibition, we examine different responses from three Southeast Asian artists to the realities of contemporary urban life.

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“DEEP S.E.A.”: Singapore artist Ruben Pang’s search for “melody in white noise”


Singapore-born painter Ruben Pang talks with Art Radar about his unconventional way of approaching painting in the second of a short series of posts on artists in late 2012 Italian exhibition “DEEP S.E.A.”.

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“DEEP S.E.A.”: Why concept determines medium for Burmese artist Aung Ko


In the first in a short series of examinations of artwork in Primo Marella Gallery’s “DEEP S.E.A.” exhibition, curator Iola Lenzi talks to Art Radar about Myanmar artist Aung Ko’s artworks and practice.

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