Public art turns profit? New models for cultural investment


The Atlantic Cities ran an article in May 2012 on the financial sustainability of public art projects. The piece highlights two major Los Angeles artworks that brought tangible monetary gains.

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Venice Biennale model outdated? Cultural citizenship an alternative – curator Ranjit Hoskote


Curator Ranjit Hoskote shares his views on the Venice Biennale model and his image of the event as a shift from spectacle to search engine, nationality to cultural citizenship.

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