An eleventh hour change of name did little to dampen exhibitor enthusiasm for Istanbul’s newest art fair.

Does the controversial name change of the inaugural art fair in Istanbul bode well for the event’s future? ArtInternational Istanbul, sued by a rival fair, had to legally change its name to ArtInternational within days of the opening. New name in place, the three-day event kicked off with great fanfare at the Haliç Congress Centre in Istanbul on 16 September 2013.

ArtInternational in Istanbul, 16 September 2013. ©HoneybunnPhotography . Image courtesy ArtInternational.

Rampa Gallery’s booth at ArtInternational, 16 -18 September 2013. Image courtesy Rampa Gallery.

Üstüngel Inanç, Public Relations Manager of Rampa Gallery, spoke to Art Radar about exhibiting at ArtIstanbul.

What is your impression of the ArtInternational art fair?

I think all Turkish galleries would agree that the general artistic level of the fair is very high. It is a nice venue; you can go out and sit by the sea in the sun whenever you feel tired of marching the aisles. It gives a break from the bustle of the city.

It is the first time that galleries like Lisson, Pace [and] Leila Heller are showing in Istanbul. There are so many established artists on view next to each other, and it is a first and a great opportunity for the Turkish audience to see so many art works of such prominent artists from all over the world. I believe this is an important task that the fair has already secured in the first edition.

What were your sales like?

Our sales went quite well. We sold nearly half of what we brought in the first two hours. As the second day was Monday, we were thinking that the fair would be empty, and the sales would stop; but we were proved wrong. The second day of the fair went just as well as the Vernissage.

What type of collectors were there?

I am also very happy to say that the sales were made not only to Turkish collectors whom we already know, but to an international list of buyers. The fair has attracted international collectors from all over the world, especially from the Middle East. There were many important collectors from the region.

Which of your artists sold?

The most favoured artists of our booth are Nilbar Gures, Nevin Aladag, Guclu Oztekin, CANAN and Hatice Guleryuz.

Were there any drawbacks?

There were some technical flaws that need to be corrected like natural light coming from the windows, and I know that generally the foreign galleries had a hard time during the set up period, which was much too short. But in general, I believe that the fair has been a success.

What do you predict for this art fair?

There were many foreign journalists walking around, so we will hear a lot about the fair in the coming days. I think the future of this fair lies in the question of how much the foreign galleries sell? A positive answer will surely determine their happy return to Istanbul.

ArtInternational in Istanbul, 16 September 2013. ©HoneybunnPhotography . Image courtesy ArtInternational.

ArtInternational in Istanbul, 16 September 2013. ©HoneybunnPhotography. Image courtesy ArtInternational.

Susan Kendzulak

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Related Topics: Turkish contemporary art, contemporary art events in Istanbul, Asia expandsfairs, round up

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Brittney

By Brittney

Brittney is a writer, curator and contemporary art gallerist. Born in Singapore and based in New York City, Brittney maintains a deep interest in the contemporary art landscape of Southeast Asia. This is combined with an equally strong interest in contemporary art from the Asian diasporas, alongside the issues of identity, transmigration and global relations.

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