Held as part of its family-focused programme, the Singapore Art Museum supports the life-changing capacities of art.
Art Radar speaks with Co-curator Andrea Fam and examines some of the highlights of the exhibition “Imaginarium”.
From 6 May to 27 August 2017 the Singapore Art Museum holds the exhibition “Imaginarium: To the Ends of the Earth” as part of the seventh edition of their family-focused programme. The exhibition focuses on the evolving, ever changing environment around us, considering how humans are more connected than ever and yet take the earth’s resources for granted.
The show involves site-specific adaptations and specially commissioned artworks from nine artists from the region, extending across South, Southeast and East Asia. Several of the works are interactive, encouraging visitors to delve further into the themes of the exhibition.
Recognising the importance of education
Interactivity, as well as special activities such as short films and immersive storytelling sessions, are aimed at increasing engagement from young audiences. As Co-curator Andrea Fam observes about the importance of engaging with these young audiences,
Coming to museums and visiting exhibitions from a young age would signal a generation of future art-appreciators. But more than that, it could signal a society more in touch with the world at large.
Art Radar had a chat with Andrea Fam about the role of education in the art context.
Why is it important to have education programmes in the museum context and what role does art play in education?
Education programmes, within the framework of museums and museum exhibitions, present visitors with different entry points into understanding contemporary issues and appreciating culture through art.
The programmes and education team at Singapore Art Museum create content to supplement and facilitate the understanding of the concepts behind the exhibitions and/or contemporary artworks. One such example of content creation can be seen in this year’s Imaginarium Ranger’s Handbook. With activities tied to every artwork in the exhibition, this handbook acts as an extension to the exhibition and encourages visitors to continue to think about the works on display even after their museum visit.
Art plays a critical role in education by introducing to audiences a variety of themes through an array of mediums.
For Singapore Art Museum’s annual family-friendly “Imaginarium” exhibition, we curate contemporary artworks around ‘big ideas’, such as the ocean in 2016 with “Imaginarium: Over the Ocean, Under the Sea” and our relationships with ever-changing environments this year, with “Imaginarium: To the Ends of the Earth”. In these exhibitions, visitors find themselves immersed in tactile and interactive artworks that present alternative ways of thinking about the ocean around us or the land on which we tread.
Through these interactive exhibits, hands-on workshops and accompanying educational programmes, children take ownership of their learning process as they grow and explore their curiosities. Art plays an important role in opening people’s minds to different ideas and perspectives that could be relevant to their lives. This helps to lay the foundation for higher critical and creative thinking skills, which are integral to their individual and collective growth.
In the piece Lizard Tail (2016), Tango creates a colourful and interactive soft-sculpture environment. The work explores concepts of adaptation, taking as a starting point many lizards’ ability to shed their tail when in danger. This process of regrowth demonstrates a spirit of hope and healing in the face of challenges.
3. Calvin Pang
Singaporean artist Calvin Pang (b. 1986) has a 3D art practice, as well as documenting his practice through photographs, drawings and words. He explores the ordinary in everyday life, ranging from individual experiences to encounters with others.
The recent work Where Am I (2017) investigates the fast pace of the modern world and the overwhelming amount of information to which people are exposed. The whimsical piece displays colourful mushrooms, observing that magic can be found in unexpected places. Through close observation, Pang urges the viewer to slow down and become more aware of and curious about the world around us.
4. Nandita Mukand
Indian-born and Singapore-based Nandita Mukand (b. 1975) examines themes of connection and spirituality through an attention to nature and materiality within her practice. She often looks at the relationship between city dwellers and the natural world, questioning how urban life impacts the way people see the world.
The Origin: The Tree and Me (2017) is a site-specific installation inspired by trees along Singapore’s East Coast Park, where the trees carry stories of generations. The other work, The Unborn (2017), was inspired by plants at the other end of the spectrum, and is made up of 25,000 seeds and pods she gathered in Spain. The seeds tell the story of hope for a future and the potential for new life.
5. Eko Nugroho
Eko Nugroho is as well-known Indonesian artist with a background in street art and comics. His practice draws upon community connections and humour in order to comment on the political and social context in Indonesia. His creative works incorporate aspects of paintings, murals, installations, sculptures and embroidery.
My Wonderful Dream (2017) is a fantasy land without borders, in which the similarities between people are highlighted. The piece, which incorporates strange floating characters and diverse islands and continents, contrasts the complexity of humanity with the desire for peace and tolerance and asks if it is really possible to achieve a harmonious world.
6. Mary Bernadette Lee
Singaporean artist Mary Bernadette Lee (b. 1985) is an illustrator who works with children and underprivileged communities in Singapore. She investigates the relationship between the physiological and the psychological, centering on “the visceral qualities of emotional complexities and spontaneous individual autonomy in art-making”.
The artwork Wanderland (2017) is a composition of objects that create an interactive and immersive environment. It evokes a tropical rainforest or park environment, bringing forth rich imaginings of experiences that have had a lasting impact.
7. Nipan Oranniwesna
Thai artist Nipan Oranniwesna (b. 1962) develops mixed media works that are influenced by social memory and history. With a background in printmaking, his works have been exhibited at many international exhibitions including the Venice Biennale (2007), the Busan Biennale (2008) and the Singapore Biennale (2013).
Another Island (2017) is made up of 598 photographs of Singapore embedded in the floor as small bubbles. These small sites are almost too small to notice from a distance and as such, they invite the viewer to come in close to see the details of the urban landscapes. The change in perspective invites questions about what changes and what is recognisable in a city environment.
8. UuDam Tran Nguyen
Vietnamese artist UuDam Tran Nguyen (b. 1971) works across choreographed performance video, sculpture, drawing, drone painting and installation, incorporating his transnational experiences in his creative practice. Specifically, he draws on issues such as crowdsourcing as well as regional conflicts and their impacts.
LICENSE 2 DRAW (2014 – 2017) investigates the ways in which the internet rapidly connects people around the world. The robot drawing machine is operated via a downloadable app and can be activated from anywhere in the world. The work muses on how we connect, communicate, interact and negotiate, but also on what responsibilities come with this increased connection.
10. Unchalee Anantawat
Thai artist Unchalee Anantawat (b. 1982) is an illustrator and animator who produces mystical creatures in a child-like or naïve art aesthetic. Her practice crosses borders, and she explains that
For me, it doesn’t really matter whether my work represents ‘Thai-ness’ or any particular traditions, so long as it conveys my ideas. It may be a bit of a cliché, but I consider myself to be a citizen of the world, so I don’t see any great need to show my own culture in my work.
Floating Mountain (2013, 2017) is inspired by dream-like landscapes of floating mountains and an azure blue sea. The work crosses between dreams and reality, finding similarities between the two and questioning if there could indeed be other worlds yet to discover.
- Exploring abstraction in art: “That Was Then, This is Now” at Sullivan+Strumpf, Singapore – June 2017 – 5 artists in the exhibition “That Was Then, This is Now” in Singapore explore notions of abstractions
- Singaporean artist Sarah Choo Jing at Venice Biennale and LOOP Fair – interview – May 2017 – Art Radar talks to the artist about her practice and recent works, on the occasion of her participation in the 57th Venice Biennale and LOOP Fair
- “An Atlas of Mirrors”: 10 highlights from Singapore Biennale 2016 – November 2016 – Art Radar highlights 10 artists and their work at the 5th edition of the Singapore Biennale 2016
- The Singapore Art Museum announces long-term partnership with Queensland Art Gallery and Gallery of Modern Art – November 2016 – the Memorandum of Understanding will seal a 5-year partnership between SAM and QAGOMA
- Navigating Nameless Seas: 11 Asian artists in “Odyssey” at Singapore Art Museum – July 2016 – the latest Singapore Art Museum group exhibition conjures stories of journeys at sea seen through the eyes of artists working in the Asia-Pacific region today
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